“Marrow,” Hillary Kane’s recent exhibition of vessels and paper-clay paintings at Lucy Lacoste Gallery in Concord, Massachusetts, presented a deep exploration of the expressive potential of sculptural clay and the transformative properties of anagama wood firing. Through evocative forms, intricate surfaces, and poetic titles, Kane asserts ceramics as a primary craft of our age—a global medium distinctively capable of fusing material and process with profound questions of bodily, intellectual, and spiritual experience...